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MARCELO GUIMARÃES LIMA

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Showing posts with the label art criticism

Fragment and Totality: Mapping Fragments - Marcelo Guimarães Lima

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December 08, 2022

Ray Martin Recent Prints, Chicago Cultural Center, 1997 (New Art Examiner, Chicago)

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September 06, 2022

IMAGINARY HOMELANDS - THE ARTWORKS OF MONICA RODRIGUEZ BY MARCELO GUIMARÃES LIMA AT PROSPECTART.ORG

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ON TIME, ART AND ENTROPY - MARCELO GUIMARÃES LIMA

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copyright (C) Marcelo Guimarães Lima

Contato / Contact

mguimaraeslima@gmail.com

RECORDAÇÕESDO FUTURO / SOUVENIRS OF THE FUTURE

idsva.edu

MARCELO GUIMARAES LIMA ARTWORKS

Marcelo Guimarães Lima Artworls

HIPERGRAFIA EDITORA

hipergrafia publishing

Heterochronia and Vanishing Viewpoints - book

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Marcelo Guimarães Lima: Marcelo Guimarães Lima (b. Rio de Janeiro) is a visual artist, researcher and writer. He studied Philosophy at the Universidade de São Paulo, Brazil (BA 1978), Studio Art and History of Art at the University of New Mexico, USA (MFA 1986, PhD 1988). He is the author of "Heterochronia and Vanishing Viewpoints" (Metasenta, Melbourne, 2012) and of essays, papers and articles on the History of Art, Philosophy, Art Criticism, Psychology of Art and related subjects. His artworks have been exhibited in Brazil, the USA, France, Portugal, Romania, the UAE. He taught History of Art and Studio Art in the USA (University of Illinois, School of the Art Institute of Chicago, Goddard College) and the UAE (American University of Dubai) and, as guest lecturer/ visiting scholar, in Spain (Universidad de Salamanca, Universidad Internacional de Andalucia). He directed community based art projects in Brazil and the USA..

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Labels

19th Century Art1
19th-century photography1
A Imaginação do Desastre1
A Terra é Redonda1
Aby Warburg2
Adália Issa1
alienação1
American art2
Anarquismo1
Anita Malfatti1

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RECORDAÇÕES DO FUTURO: CRÔNICAS DA DEMOCRACIA IMPEDIDA

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MARCELO GUIMARÃES LIMA - HETEROCHRONIA AND VANISHING VIEWPOINTS, METASENTA PUBLICATIONS, MELBOURNE

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September 25, 2024

A nobre arte da mentira no sertão – As “Histórias de Alexandre” de Graciliano Ramos (*)

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